By John Spitzer
Studies of live performance lifestyles in nineteenth-century the United States have as a rule been restricted to massive orchestras and the courses we're acquainted with at the present time. yet as this publication unearths, audiences of that period loved way more diversified musical reports than this concentration may recommend. to listen to an orchestra, humans have been prone to head to a lager backyard, eating place, or summer time lodge than to a live performance corridor. And what they heard weren’t simply symphonic works—programs additionally integrated opera excerpts and preparations, instrumental showpieces, comedian numbers, and medleys of patriotic tunes.
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